Churches around the World: How Christianity is Represented in Art
Churches are public buildings for Christian worship. They vary in architectural style depending on their time period and location, but often follow similar models. The Metropolitan Museum has a wide variety of church artworks, from different time periods and cultures. These artworks provide a glimpse into how Christianity has been represented and practiced across the world.
A Lock, a Column, and a Church beside a Lagoon
Canaletto also painted imaginary views, which he called vedute ideate.
Many date to the early 1740s, when he visited mainland Venice with his nephew Bernardo Bellotto.
The originality of these pictures - and this is one of the finest - resides in the abstract design, quality of light, and combination of buildings.
Santa Maria della Salute
One of the most famous sites in Venice, Baldassare Longhena's church of Santa Maria della Salute (consecrated in 1687) is flanked on the left by the Seminario Patriarcale and on the right by the Abbazia di San Gregorio, near the end of the Grand Canal towards the Bacino di San Marco.
The baroque church dominates the entrance to the canal.
The canvas has as a pendant a view of the Grand Canal above the Rialto Bridge (71.119).
View of Poestenkill, New York
Hidley worked in Poestenkill, New York, as a house painter, a handyman, an artist, and served as sexton of the Evangelical Lutheran Church.
He painted a series of townscapes of Poestenkill and the surrounding villages, applying an aerial view and incorporating clearly defined, recognizable buildings in his compositions.
Here, the aforementioned church, next to which Hindley lived, is the most prominent structure.
Poesten Kill - "kill," from the Dutch, means "creek" - can be seen both in the left foreground, where it passes under a bridge, and in the far distance, where it spills over a dam
The town was an important lumbering center, and many mills were located along the creek
A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)
Eckersberg produced a series of urban prospects in Rome between 1813 and 1816.
These studies were painted in repeated sittings before the motif in order to faithfully reproduce the effects of the Mediterranean sun on architectural ensembles.
This frieze-like view depicts the fourth-century Temple of Romulus and Remus, which forms the vestibule of the sixth-century Church of Saints Cosmas and Damian.
Interior of the Oude Kerk, Delft
This painting is a realistic depiction of the inside of the Oude Kerk in Delft.
The painting takes some liberties with the architecture of the church.
There are a lot of religious paintings and sculptures in the church, but they have been destroyed during the Iconoclasm.
Interior of the Oude Kerk, Delft
This is a painting of the church of Saint Bavo in Haarlem, Netherlands.
It was painted from a vantage point to the west of Emmanuel de Witte's depiction of the same church hanging nearby.