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Salvator Rosa Artworks collected in Metmuseum

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Salvator Rosa Artworks collected in Metmuseum

Salvator Rosa (1615 –1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters, known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day.As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religious subjects, unless they allowed a treatment dominated by the landscape element. He also produced battle scenes, allegories, scenes of witchcraft, and many self portraits. However, he is most highly regarded for his very original landscapes, depicting "sublime" nature: often wild and hostile, at times rendering the people that populated them as marginal in the greater realm of nature. They were the very antithesis of the "picturesque" classical views of Claude Lorrain and prototypes of the romantic landscape. Some critics have noted that his technical skills and craftsmanship as a painter were not always equal to his truly innovative and original visions. This is in part due to a large number of canvases he hastily produced in his youth (1630s) in pursuit of financial gain, paintings that Rosa himself came to loath and distance himself from in his later years, as well as posthumously misattributed paintings.: 138 p.   Many of his peopled landscapes ended up abroad by the 18th century, and he was better known in England and France than most Italian Baroque painters. Rosa has been described as "unorthodox and extravagant", a "perpetual rebel", "The Anti-Claude",: 6 p.  and a proto-Romantic. He had a great influence on Romanticism, becoming a cult-like figure in the late 18th and early 19th centuries, and myths and legends grew around his life, to the point that his real life was scarcely distinguished from the bandits and outsiders that roamed the wild and thundery landscapes he painted. By the mid 19th century however, with the rise of realism and Impressionism, his work fell from favor and received very little attention. A renewed interest in his paintings emerged in the late 20th century, and although he is not ranked among the very greatest of the Baroque painters by art historians today, he is considered an innovative and significant landscape painter and a progenitor of the romantic movement. https://en.wikipedia.org/wiki/Salvator_Rosa

Studies of Kneeling Figures

Italian, Arenella (Naples) 1615–1673 Rome / The Met

   title: Studies of Kneeling Figures
   department: Drawings and Prints
   accessionYear: 1938

Two Standing Men Gesticulating

Italian, Arenella (Naples) 1615–1673 Rome / The Met

   title: Two Standing Men Gesticulating
   department: Drawings and Prints
   accessionYear: 1960

An Apparition

Italian, Arenella (Naples) 1615–1673 Rome / The Met

   title: An Apparition
   department: Drawings and Prints
   accessionYear: 1880

Plate

Italian, Arenella (Naples) 1615–1673 Rome / The Met

   title: Plate
   department: European Sculpture and Decorative Arts
   accessionYear: 1950

Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)

Italian, Arenella (Naples) 1615–1673 Rome / The Met

   title: Study for a Raising of Lazarus (recto); half-length study of bearded nude male figure, and a man and woman with donkey (verso)
   department: Drawings and Prints
   accessionYear: 1917

A Large Tree

Italian, Arenella (Naples) 1615–1673 Rome / The Met

   title: A Large Tree
   department: Drawings and Prints
   accessionYear: 1911

Witches' Sabbath

Italian, Arenella (Naples) 1615–1673 Rome / The Met

   title: Witches' Sabbath
   department: Drawings and Prints
   accessionYear: 1912

Death of Regulus

Jost Amman Artworks collected in Metmuseum

Jost Amman Artworks collected in Metmuseum

Jost Amman (June 13, 1539 – March 17, 1591) was a Swiss-German artist, celebrated chiefly for his woodcuts, done mainly for book illustrations. https://en.wikipedia.org/wiki/Jost_Amman Marcus Curtius    title: Marcus Curtius    department: Drawings and Prints    accessionYear: 2002 Entry of Maximilian II into Nuremberg, June 7, 1570    title: Entry of Maximilian II into Nuremberg, June 7, 1570    department: Drawings and Prints    accessionYear: 1953 Triumph of Christian Faith    ti
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Winslow Homer Artworks collected in Metmuseum

Winslow Homer Artworks collected in Metmuseum

Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art. Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively
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Okumura Masanobu Artworks collected in Metmuseum

Okumura Masanobu Artworks collected in Metmuseum

Okumura Masanobu (Japanese: 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women"). https://en.wikipedia.org/wiki/Okumura_Masanobu Yaoya O Shichi Standing, Holding a Love Letter and a Battledo
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